Jayasena, Nalin
(South Eastern University of Sri Lanka, University Park, Oluvil, Sri Lanka, 2017-12-07)
This paper examines two films, Somaratne Dissanayake’s Saroja (2000) and Mani Ratnam’s
A Peck on the Cheek (2002), through the recurrent motif of adoption. Both films represent a
Tamil child, whose parents have been ...