dc.contributor.author |
Ramanathan, G. |
|
dc.date.accessioned |
2019-12-16T10:19:05Z |
|
dc.date.available |
2019-12-16T10:19:05Z |
|
dc.date.issued |
2019-12-18 |
|
dc.identifier.citation |
8th South Eastern University International Arts Research Symposium -2019. 18th December 2019. South Eastern University of Sri Lanka, Oluvil, Sri Lanka. |
en_US |
dc.identifier.isbn |
978-955-627-203-1 |
|
dc.identifier.uri |
http://ir.lib.seu.ac.lk/handle/123456789/4133 |
|
dc.description.abstract |
We come to know about the ways in which people carried on their life with the help of Koothu and
music, particularly the ways in which paanars developed music and Koothu with the help of musical
instruments. Also we come to know about the musical parts and musical notes described in literatures
like Tholkappiyam and Atrupadai and how these musical notes were used by Sangam period musicians
i.e., Paanars to develop Music and Koothu. Because both music and Koothu were an integral part of
life of Sangam people. This essay analyses whether Music and Koothu are developing themselves
according to changing times and being a part of people’s life or they remain without any changes. |
en_US |
dc.language.iso |
en_US |
en_US |
dc.publisher |
Faculty of Arts and Culture, South Eastern University of Sri Lanka. |
en_US |
dc.subject |
Age |
en_US |
dc.subject |
Koothu |
en_US |
dc.subject |
Music |
en_US |
dc.subject |
Paanars |
en_US |
dc.subject |
Tholkappiyam |
en_US |
dc.subject |
Sangam |
en_US |
dc.title |
சங்க இலக்கியத்தில் இசையும் கூத்தும் |
en_US |
dc.title.alternative |
Music and Koothu (performance) in Sangam literature |
eng |
dc.type |
Article |
en_US |