dc.contributor.author |
Priyanka Virajini, Medagedara Karunaratne |
|
dc.date.accessioned |
2021-01-27T16:33:47Z |
|
dc.date.available |
2021-01-27T16:33:47Z |
|
dc.date.issued |
2016-12 |
|
dc.identifier.citation |
Kalam, International Research Journal, Faculty of Arts and Culture, 10 (1), 2016. pp. 34-39. |
en_US |
dc.identifier.issn |
1391-6815 |
|
dc.identifier.uri |
http://ir.lib.seu.ac.lk/handle/123456789/5289 |
|
dc.description.abstract |
‘Identity’ is one of the seminal concepts for describing the function of fashion. Fashion
allegedly contributes to the formation of identity. Besides identity includes the way an
individual perceives, interprets, and presents individuals and others in various contexts of
everyday life. An expression of identity is extremely subtle and symbolically communicates
personal values, interests, tastes, and affiliations to one another. Through the process of self identification, individuals place and express their own identities. However, people cannot
hold on to particular identities by themselves. As noted by Kaiser, identities tend to be
constructed, revised, and reconstructed in social transactions. The processes of developing
identities are based on ascribed and achieved identities. The objective of the study is to
explore how the royalty anticipated what identities they would like to have in the social
situation and how they presented themselves accordingly to others, thus generating basic
theoretical concepts to the field of fashion. |
en_US |
dc.language.iso |
en_US |
en_US |
dc.publisher |
Faculty of Arts and Culture, South Eastern University of Sri Lanka, Oluvil. |
en_US |
dc.subject |
Identity |
en_US |
dc.subject |
Fashion |
en_US |
dc.subject |
Religion |
en_US |
dc.subject |
Portuguese |
en_US |
dc.subject |
Behavior |
en_US |
dc.title |
Expressing identity: function of fashion |
en_US |
dc.type |
Article |
en_US |