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Portrail of exaggerated heroism in Director Shankar Films: a content analysis

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dc.contributor.author Rajakumar, Anatkesika Lorance
dc.date.accessioned 2021-05-11T06:41:32Z
dc.date.available 2021-05-11T06:41:32Z
dc.date.issued 2021-01-19
dc.identifier.citation 9th South Eastern University International Arts Research Symposium - SEUIARS 2020 on "Global Dimension of Social Sciences and Humanities through Research and Innovation”. 19th January 2021. South Eastern University of Sri Lanka, Oluvil, Sri Lanka. pp. 73. en_US
dc.identifier.issn 978-955-627-253-6
dc.identifier.uri http://ir.lib.seu.ac.lk/handle/123456789/5486
dc.description.abstract Cinema is conceptual of the Audience. It can cover a large audience. Mass media is a well-Popularized art in this world. India is the Biggest Market for cinema. Many films have been produced every year. Especially, box office hit collection of Movies have reached a huge audience. When we put director Shankar’s movies under research, it is very obvious that his style of making movies is unique with reference to story, screenplay, and technological aspects though he has directed only 13 movies. His 12 movies are put under this research. As it deals with movies, content analysis is used for the research. The core objective of this research is to bring out how his movies portray heroism; how he brings out heroism through the symbolic representation of heroes. The primary sources of this research are his 12 movies; and the secondary sources are books and magazines related to the movies. en_US
dc.language.iso en_US en_US
dc.publisher Faculty of Arts and Culture, South Eastern University of Sri Lanka en_US
dc.subject Tamil cinema en_US
dc.subject Director Shankar en_US
dc.subject Heroism en_US
dc.subject Movies en_US
dc.subject Technology en_US
dc.title Portrail of exaggerated heroism in Director Shankar Films: a content analysis en_US
dc.type Article en_US


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