Please use this identifier to cite or link to this item: http://ir.lib.seu.ac.lk/handle/123456789/5486
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dc.contributor.authorRajakumar, Anatkesika Lorance-
dc.date.accessioned2021-05-11T06:41:32Z-
dc.date.available2021-05-11T06:41:32Z-
dc.date.issued2021-01-19-
dc.identifier.citation9th South Eastern University International Arts Research Symposium - SEUIARS 2020 on "Global Dimension of Social Sciences and Humanities through Research and Innovation”. 19th January 2021. South Eastern University of Sri Lanka, Oluvil, Sri Lanka. pp. 73.en_US
dc.identifier.issn978-955-627-253-6-
dc.identifier.urihttp://ir.lib.seu.ac.lk/handle/123456789/5486-
dc.description.abstractCinema is conceptual of the Audience. It can cover a large audience. Mass media is a well-Popularized art in this world. India is the Biggest Market for cinema. Many films have been produced every year. Especially, box office hit collection of Movies have reached a huge audience. When we put director Shankar’s movies under research, it is very obvious that his style of making movies is unique with reference to story, screenplay, and technological aspects though he has directed only 13 movies. His 12 movies are put under this research. As it deals with movies, content analysis is used for the research. The core objective of this research is to bring out how his movies portray heroism; how he brings out heroism through the symbolic representation of heroes. The primary sources of this research are his 12 movies; and the secondary sources are books and magazines related to the movies.en_US
dc.language.isoen_USen_US
dc.publisherFaculty of Arts and Culture, South Eastern University of Sri Lankaen_US
dc.subjectTamil cinemaen_US
dc.subjectDirector Shankaren_US
dc.subjectHeroismen_US
dc.subjectMoviesen_US
dc.subjectTechnologyen_US
dc.titlePortrail of exaggerated heroism in Director Shankar Films: a content analysisen_US
dc.typeArticleen_US
Appears in Collections:SEUIARS - 2020

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